With a great plot line, and great action sequences… It’s a winner. It’s a hero’s journey with universal themes of love, honor and integrity. It’s a very classic story, but it’s told in a fresh way that doesn’t feel tired or contrived. “I would say the story is probably the strongest element. Of course the sound is good,” Ben added with a laugh. “Wow, that’s hard, because there are so many really strong elements in Beyond the Mask. “This is sort of like a critique of the movie,” Ben said. We are all very happy with it.”Īt the close of the interview, I asked Ben what he thought of Beyond the Mask as a film. We had to get all of that to fit together so that you can hear what’s going on, but also make it exciting and cinematic and as entertaining as possible. “Everything goes crazy, and stuff is blowing up and there are sword fights while there are explosions while there’s dialogue. “The most challenging part was the big finale,” Ben says. The most difficult yet rewarding sound work in Beyond the Mask comes at the end of the film.
#Beyond the mask full#
You want it to sound big and full and rich, but you also want it to be clear so that the dialogue isn’t buried by the wind.” So many sounds are happening at once, and you have to decide what is important for telling the story. You’ve got the boots on the wood deck as people are walking around and the swords clanking in their belts. “And you’ve got the creaking of the ship as a sound and you’ve got the crashing of the waves. “Maybe the scene is on a ship,” Ben offered me an example. How loud the music is, even how loud maybe the strings are versus the horns, compared to the dialogue.” But knowing which layer to increase or decrease gets complicated quickly, and that’s where the discerning ears of an experienced mixer are needed.
“We have all the different sounds on a computer, and we turn them up and down and modify them so that they sound a little bit thicker or thinner or add more treble or bass to each sound, just to get everything to fit together as well as it can.” There are many aspects to every sound, but Ben’s main adjustment is the relative volume of each sound. In the mixing process, Ben converted the audio from stereo to surround sound as well as adjusting several elements on each sound.
Working as a team, they went through the film, moment by moment, adjusting each individual sound to reach the perfect combination. In the studio, Ben worked alongside Chad, Aaron, and Nathan to create the final mix.
#Beyond the mask plus#
As Ben says, “My job is to take all of the sounds plus all the music and blend them together so that everybody can understand the dialogue the sound effects are what they need to be – big and dynamic or soft and subdued – everything that needs to happen to make it sound like a movie.”
Director Chad Burns in the studio with audio mixer Ben ZaraiĪll of the pieces have already been recorded and created by the time the film reaches the mixer, but at that point, Ben arranges each of them so that they sound good relative to each other.